Dinesh D’Souza’s soon-to-be-published book, 2000 Mules, has already caused quite a stir and his newest movie, based on the book, is bound to stir the pot yet again. The movie was scheduled for nationwide release in 300 theaters the week of May 2. In addition, it will be available online on the SalemNow platform and on the Rumble video platform. In a nutshell, both the book and the film expose the true machinations of the political Left as it unleashed operatives to fix the 2020 Presidential Election that put Joe Biden in office.
When the Amazon bookselling website first listed the print version of 2000 Mules it was described as being “rife with fraud orchestrated by the Democratic Party. That’s not just an accusation; it’s now, thanks to bestselling author and investigative journalist Dinesh D’Souza, an established fact. With eyewitness testimony and the pinpoint precision and analytic sophistication of the forensic technique of geo-tracking, D’Souza demonstrates how an already corrupt system put in place by Democratic Party hacks and ‘community organizers’ was taken over and supercharged by national-level operatives to produce massive voter fraud.”
“The movie documents with explicit evidence how our democratic republic is being destroyed—may already have been destroyed—through the utter sabotage of our electoral system through a mindbogglingly large network of ‘mules’…These ‘mules’ are vote harvesters paid to drop extraordinary numbers of ballots—the movie scrupulously undercounts this for the most part, but you get the idea—in boxes in all the swing states, plus one can only guess how many other states as well,” according to award-winning novelist and Oscar- Nominated screenwriter Roger L. Simon writes in his review of the film.
A Phi Beta Kappa graduate of Dartmouth College, D’Souza has written a dozen books including Hillary’s America: The Secret History of the Democratic Party, America: Imagine the World Without Her and Death of a Nation.
In a new interview with Rebecca Weber, CEO of the Association of Mature American Citizens [AMAC]on his Better For America podcast, he described 2000 Mules succinctly as a description of “the coordinated system of illegal ballot trafficking that happens to be of a magnitude enough to tip the balance of the election.”
D’Souza explained to AMAC’s CEO Weber that his book and his movie provide “a very powerful line of evidence that shows these mules, these paid operatives going to multiple drop boxes and dumping in ballots.” He said the video evidence in the movie – “the official surveillance video from the states” – is particularly compelling. “You can see the criminals in the act. This is a remarkable case. Like it’s a flashback to the days leading up to the 2020 election, early voting. And you can see guys in hoodies looking to the left and the right. They’re wearing gloves so they don’t leave fingerprints. They’re taking photos of the ballots as they put them in because they want to show I was there; I did the job. I need to get paid. All of this is in the film. And so, the audience is riveted because they’ve never seen anything like this. Most of this footage has never been seen before.”
D’Souza concluded the interview by describing the motivation that binds his books and movies. He explained that both he and his wife are immigrants and that they feel privileged to be part of the American dream. He said, “to me, it is not just a dream of success or economic opportunity. It includes that. But it’s really a bigger idea. And the idea is that we are the architects of our own destiny. We’re in the driver’s seat of our own life. We build our own future. And this is a very powerful and appealing idea. My wife was born in Venezuela. I was born in India. Both of us have this sense that there is something very precious, a kind of way of life that we enjoy that we know is not available elsewhere in the world. Venezuela, of course, was destroyed by a socialist takeover that has ruined the election process [and] established a regime of censorship. So, we’re very aware of not only the appeal of freedom but its fragility and its vulnerability. And in some ways, we see it slipping away.”
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