Berkeleyside is thrilled to welcome two new journalists into our newsroom who will deepen our visual storytelling and our coverage of how the climate crisis is changing Berkeley.
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Ximena Natera — a seasoned photographer from Mexico City who has spent much of her career in high-risk zones, documenting human rights violations against migrants, the aftermath of cartel violence and forms of community resistance and resilience — will become Berkeleyside’s first-ever full- time visual journalist.
Iris Kwok — a recent UC Berkeley graduate and Daily Cal deputy news editor whose stories have appeared in KQED, the San Francisco Chronicle and San Francisco Classical Voice (she moonlights as a cellist) — will cover a new beat exploring what an environment dramatically altered by fossil-fuel emissions means for local residents, wildlife and infrastructure and how communities and policymakers are trying to adapt and seek solutions.
Both Natera and Kwok will start June 1, bringing Berkeleyside’s newsroom to a staff of eight.
The positions are a partnership with Report for America, a national service program. Natera will also be supported by CatchLight, a California nonprofit dedicated to leveraging the power of visuals to inform and connect communities. Berkeleyside is one of just 13 California news outlets chosen for Report for America this year and one of just five chosen for the CatchLight Local Visual Desk.
“The addition of these two positions will be a leap forward for Berkeleyside,” said Editor-in-Chief Pamela Turntine. “Ximena and Iris’ work will deepen our coverage of Berkeley, providing much needed reporting on the impact of the climate crisis on our city and more of the type of visual journalism our readers have long told us they appreciate.”
Ximena Natera: Curious and community-minded
Long-term relationship building is at the heart of Natera’s photographic practice.
She spent three years reporting the story of Maria Herrera, who founded a support group for Mexican families looking for their missing children after four of Herrera’s own children disappeared. Natera’s photos for this project won the prestigious Gabriel García Márquez Journalism Award.
Victoria Bouloubasis met Natera in 2017 on a reporting trip to El Salvador. Natera photographed survivors of the 1981 El Mozote massacre, in which over 800 civilians were killed by the Salvadoran Army.
“I’ll never forget the photos she came back with from the field, and the silent video portraits she took,” Bouloubasis said. “Ximena always catches the light. Despite the pain in the stories she shared with her, Ximena always finds beauty in someone’s experience to honor their full personhood. Her de ella ‘performance’ de ella on the job is brave, diligent and caring. ”
Since 2019, Natera has been living in New York, where she studied documentary journalism at the International Center of Photography.
Near the start of the pandemic, she published a deeply reported photo essay about “the migrants who fed New York City.” And she covered the city’s post-George Floyd protests against systemic racism for Mother Jones, using a portable white screen she toted in on a small wagon to capture the images of young child protesters — their emotions and signs showing up all the starker against the blank backdrop.
“I love photographing people out of context,” she said. “I stubbornly take my little photo booth to places I shouldn’t.”